{"title":"Eventide Clockworks","description":"","products":[{"product_id":"eventide-h910-harmonizer-plug-in","title":"Eventide H910 Harmonizer® Bundle","description":"\u003ch3\u003e“F@*ks with the Fabric of Time”\u003c\/h3\u003e\n\u003cp\u003eThe H910 Harmonizer® was the world’s first digital effects processor. With its unique combinations of pitch shifting, modulation, and delay, the H910 can be heard on countless ground-breaking works by artists from AC\/DC to David Bowie to Frank Zappa. Simply put, nothing sounds quite like it.\u003c\/p\u003e\n\u003ch3\u003eTwo is Better than One\u003c\/h3\u003e\n\u003cp\u003eWhen you purchase the H910 Harmonizer® plug-in, you also receive Eventide’s exclusive H910 Dual Harmonizer®. This version recreates the popular technique of running two H910 units in parallel to create lush doubling and other interesting effects.\u003c\/p\u003e\n\u003cp\u003eA powerful creative tool, the H910 plug-in is a faithful recreation of the original hardware. Use the H910’s pitch changing ability to create specific musical intervals and harmonies, spread guitars, fatten snares, apply subtle organic de-tuning to synths or add slap-back delays to vocals. In extreme settings, you can create unheard-of mechanical sounds and drone effects using self-oscillation, delay, and anti-feedback.\u003c\/p\u003e\n\u003ch3\u003eThe Glitch is Back\u003c\/h3\u003e\n\u003cp\u003eThe original H910’s unique pitch change method introduced random ‘glitches’ into the audio and the word ‘glitch’ into the audio engineer’s vocabulary. Not surprisingly, artists found creative ways to use the glitch, and, in fact, years later when the H949 was introduced with advanced de-glitching circuitry, some users were disappointed that the glitch was gone. In addition to the glitch, all of the quirkiness of the original H910 has been emulated. The design predates the introduction of the CD and digital audio sample rate standards (e.g. 44.1 kHz) by nearly a decade. The system clocks at the heart of the design drifted and wobbled introducing a degree of randomness in the effect not found in later crystal-based, precise digital devices. This was evident in the way that the display would flicker between pitch ratio readings. The combination of glitch, randomness, and analog signal path, especially when the feedback control was turned up, added an ‘organic’ feel to the sound and that feeling comes through in the plug-in.\u003c\/p\u003e\n\u003ch3\u003eTrue End to End Emulation\u003c\/h3\u003e\n\u003cp\u003eEventide has painstakingly modeled every section of the analog signal chain to recreate the sounds of the original H910. The original H910 was a 100% software-free, analog and digital processor that predated the earliest practical ADC or DSP chips by several years. It used simple digital logic gates and some of the earliest RAM memory chips but was, in large measure, an analog beast. A custom analog-to-digital converter, companding, filtering, and analog feedback combined to give the unit a distinctive sound which this plug-in faithfully re-creates. \u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eKeyboard and MIDI mapping — The original H910 featured a keyboard remote control which was used live by several artists including Elton John. With the H910 plug-in you can easily use MIDI to control pitch and harmonization in real-time.\u003c\/li\u003e\n\u003cli\u003eEnvelope Follower — Engineers and producers discovered that sending a control voltage to the hardware H910 could be used to slightly (or massively) vary the pitch, creating entirely new sounds. The built-in envelope follower makes exploring these possibilities easy.\u003c\/li\u003e\n\u003cli\u003eOUT2 Delay Group adds inspiring attributes to your sound.\u003c\/li\u003e\n\u003cli\u003eTrue analog modeling of highly nonlinear electronics for faithful reproduction of the original H910’s juicyness and grit.\u003c\/li\u003e\n\u003cli\u003ePerform perfect pitch changes, controlled manually via MIDI or with Anti-Feedback.\u003c\/li\u003e\n\u003cli\u003eAnti-Feedback modulates the pitch around unity for a subtle or wild effect.\u003c\/li\u003e\n\u003cli\u003eOptional “glitching” of original H910 hardware to create unpredictable sounds as it alters pitch.\u003c\/li\u003e\n\u003cli\u003eModify pitch by musical intervals (diatonic) to harmonize vocals or solo instruments.\u003c\/li\u003e\n\u003cli\u003eDelay rhythms and melodies to create everything from slap-back echoes to feedback chaos.\u003c\/li\u003e\n\u003cli\u003eSelf-oscillation — create colorful, unique sound effects and drones.\u003c\/li\u003e\n\u003cli\u003eIndividually control delay outputs and dry\/wet mix.\u003c\/li\u003e\n\u003cli\u003eMix Lock allows for scrolling through presets or settings while keeping the dry\/wet mix constant.\u003c\/li\u003e\n\u003cli\u003eRecreates two H910 units running in parallel to create doubling effects and other unique sounds.\u003c\/li\u003e\n\u003cli\u003eEasily fattens and thickens instruments when assigning opposite pitch ratios.\u003c\/li\u003e\n\u003cli\u003eStereo (cross-unit) Feedback can cause the incoming signal to shift up and then down continuously.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSystem Requirements\u003c\/h3\u003e\n\u003ch4\u003eMac\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOS:\u003c\/strong\u003e macOS 10.14+\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormats:\u003c\/strong\u003e VST-3, AU, AAX\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eWindows\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOS:\u003c\/strong\u003e Windows 8+\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormats:\u003c\/strong\u003e VST-2, VST-3, AAX\u003c\/li\u003e\n\u003c\/ul\u003e\n","brand":"Eventide","offers":[{"title":"Default Title","offer_id":45355862655155,"sku":"EVENTIDE-124711","price":16975.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/H910-1.jpg?v=1773738635"},{"product_id":"eventide-sp2016-reverb","title":"Eventide SP2016 Reverb","description":"\u003ch3\u003eReverb Time Machine\u003c\/h3\u003e\n\u003cp\u003eThe SP2016 was the first programmable effects box available on the market. It introduced the concept of the ‘plug-in’ to the pro audio world back in 1982, with actual hardware chips that would be plugged in under the hood. Revered for its signature reverbs, the SP2016 was notably used by Dave Pensado, George Massenburg, Alan Sides, Roy Hendrickson, Jack Douglas, and Mick Guzauski. The lush reverb can be heard on countless hit records by Talking Heads, Adele, Mariah Carey, Eminem, and more. Now, 36 years later, this signature sound is available for your DAW.\u003c\/p\u003e\n\u003ch3\u003eSix Distinct Reverbs\u003c\/h3\u003e\n\u003cp\u003eThe algorithms naturally emulate every aspect of the sound of a real physical environment — from the complex early reflections, to the natural way in which the echo density increases with time, and to the smooth Gaussian decay of the reverb tail. It’s a powerful simulation that lends itself to parametric control.\u003c\/p\u003e\n\u003cp\u003eThe SP2016 reverbs have attracted a loyal user base by using a particular blend of art and science — the end result is an effect that sounds natural and distinctive. The plug-in includes authentic emulations of Room, Stereo Room, and Hi-Density Plate algorithms, each available in two versions: Vintage and Modern. The Vintage algorithms are true to the original box, all the way down to the bit-depth. The Modern algorithms are brighter, more diffuse, and use a higher bit-depth.\u003c\/p\u003e\n\u003ch3\u003eSitting in the Mix\u003c\/h3\u003e\n\u003cp\u003eControl the structure of the reverb by fine-tuning the controls – including PreDelay, Decay, Position, and Diffusion. The EQ section allows for simple high and low filtering of the reverb with adjustable filter ranges. The low filter can be used to cut OR boost at the specified frequency.\u003c\/p\u003e\n\u003cp\u003eWith the unique Position control, the ability to make a reverb effect that sits perfectly in your mix is as easy as moving one slider. This powerful tool allows you to take your listeners from the back of the room all the way to the stage while retaining all of your other settings.\u003c\/p\u003e\n\u003ch3\u003eReinventing a Classic\u003c\/h3\u003e\n\u003cp\u003eClassic gear stands the test of time. The sound of the hardware is the result of a combination of DSP processing and analog audio circuitry. Painstakingly modeling every aspect of these hardware units was neither quick nor easy, but now the must-have sonic beauty of these classic reverbs is available for your use in the box or live. \u003c\/p\u003e\n\u003ch3\u003eThree reverb types:\u003c\/h3\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eRoom: Your basic no-nonsense, no-frills ambient “room.” It’s a mono effect with stereo outputs. The extreme Pre-Delay range makes it possible to use this effect for reverberant doubling and single echoes.\u003c\/li\u003e\n\u003cli\u003e2016 Stereo Room: Recreates the ambience of a large concert hall, with very clear, natural reverberation.\u003c\/li\u003e\n\u003cli\u003eHi-Density Plate: Plate-type reverb with dual pickups simulating the effect of a bigger, heavier plate. This reverb allows you to make vocals, guitars and percussive instruments appear much bigger and brighter than they actually are.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSystem Requirements\u003c\/h3\u003e\n\u003ch4\u003eMac\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOS:\u003c\/strong\u003e macOS 10.14+\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormats:\u003c\/strong\u003e VST-3, AU, AAX\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eWindows\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOS:\u003c\/strong\u003e Windows 10+\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormats:\u003c\/strong\u003e VST-2, VST-3, AAX\u003c\/li\u003e\n\u003c\/ul\u003e\n","brand":"Eventide","offers":[{"title":"Default Title","offer_id":45355863048371,"sku":"EVENTIDE-124748","price":11279.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/SP2016-Web_8eba43b7-7a90-4f45-952e-7b6806dc3cf9.jpg?v=1773738698"},{"product_id":"eventide-omnipressor","title":"Eventide Omnipressor","description":"\u003ch3\u003eYour Omnipressor Loves You…\u003c\/h3\u003e\n\u003cp\u003eIntroduced in the early 1970s, the Omnipressor was the first dynamics effects processor of any kind. Originally invented by Eventide’s founder, Richard Factor (and later redesigned for production by John Paul), the Omnipresssor made a host of effects possible. It featured variable control of all aspects of dynamic modification. It also introduced the notion of the ‘side chain’ and foretold techniques that today we take for granted like ‘look ahead’ processing.\u003c\/p\u003e\n\u003ch3\u003e… And Wants To Be Your Friend!\u003c\/h3\u003e\n\u003cp\u003eThe Omnipressor plug-in is a faithful emulation of the “dark meter” unit and is popular among some of the world’s leading producers and engineers as a dynamics-modifier with variable expressive controls of all aspects of a signal’s dynamics. The Function control allows you to set compression and expansion ratios over a wide, continuous range from extreme expansion to infinite compression and beyond. Dynamic reversal, which reverses a sound’s envelope, allows you to make loud sounds quiet and quiet sounds loud.\u003c\/p\u003e\n\u003cp\u003eOne of our first customers was a young Brian May, lead guitarist of Queen. With the Omnipressor in his rig, his sound was never the same again.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDynamics Processing — capable of creating otherworldly sounds\u003c\/li\u003e\n\u003cli\u003eDynamic Reversal — the first of its kind, soft signals come out loud and loud signals come out quiet, simulating tape reversal, a near unique attribute of this versatile compressor\u003c\/li\u003e\n\u003cli\u003eFunction Control — sets a ratio over a continuous range allowing extreme expansion, to infinite compression, and is even able to push further into dynamic reversal\u003c\/li\u003e\n\u003cli\u003eVariable Control of attack and release time\u003c\/li\u003e\n\u003cli\u003eVariable Control of maximum gain and maximum attenuation\u003c\/li\u003e\n\u003cli\u003eSide Chain allows the level detect of the Omnipressor to be driven by another audio source\u003c\/li\u003e\n\u003cli\u003eGating — amplitudes of signals that fall below a set threshold are ‘squooshed’\u003c\/li\u003e\n\u003cli\u003eExpansion — widen a signal’s dynamic range, louder gets louder, softer gets softer\u003c\/li\u003e\n\u003cli\u003eCompression offers variable control of compression ratio\u003c\/li\u003e\n\u003cli\u003eInfinite Compression — if you want everything to come out at the same level, this is the feature for you\u003c\/li\u003e\n\u003cli\u003eLimiting — a fast, versatile limiter, useful for maintaining a loud sound\u003c\/li\u003e\n\u003cli\u003eIntuitive Interface — clean and easy to operate\u003c\/li\u003e\n\u003cli\u003eDozens of presets to help you explore and learn the unique workings of the Omnipressor\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSystem Requirements\u003c\/h3\u003e\n\u003ch4\u003eMac\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOS:\u003c\/strong\u003e macOS 10.14+\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormats:\u003c\/strong\u003e VST-3, AU, AAX\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eWindows\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOS:\u003c\/strong\u003e Windows 10+\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormats:\u003c\/strong\u003e VST-2, VST-3, AAX\u003c\/li\u003e\n\u003c\/ul\u003e\n","brand":"Eventide","offers":[{"title":"Default Title","offer_id":45355863081139,"sku":"EVENTIDE-12475","price":11279.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/Omnipressor-7.png?v=1773738706"},{"product_id":"eventide-instant-phaser-mk-ii","title":"Eventide Instant Phaser Mk II","description":"\u003ch3\u003eOwn the First Studio Phaser\u003c\/h3\u003e\n\u003cp\u003eReleased in 1972, the Eventide Instant Phaser began the studio effects revolution by successfully simulating tape flanging, an effect that’s been at the core of legendary albums for the last five decades. Modeled on the original hardware unit, the Instant Phaser Mk II plug-in accomplishes the same legendary sound with all the analog personality, smooth modulations, and inherent musicality. Its capabilities have been expanded, and now you can even take your phaser on an excursion from the 70s far into the future with the delightfully characteristic “Age” knob. Outfitted with a complete host of control options, the Instant Phaser Mk II is out of the rack and into your plug-in arsenal.\u003c\/p\u003e\n\u003cp\u003eThe Instant Phaser Mk II offers three different sonic characteristics that change the amount of phase-shift sections, simply labeled “Shallow,” “Deep,” and “Wide.” When “Wide” is selected, the Instant Phaser Mk II gives you a different amount of phase-shifting on both the right and left channels, resulting in a slightly different effect in each ear. You can use this to turn flat mono guitars into huge stereo leads or make your single-channel synthesizer fill out the sides of your mix\u003c\/p\u003e\n\u003ch3\u003eAged Not Old\u003c\/h3\u003e\n\u003cp\u003eThe Instant Phaser Mk II perfectly captures the unique, imprecise analog character of the original hardware. During development we discovered that the values of some of the components change with age; they drift further and further from their marked values. The result is that an Instant Phaser which has been powered up for years will sound different than it did on day one. The new plug-in features an innovative Age knob, which allows you to simulate this aging of the components of the phase shift networks and the LFO. Once we started down this path, in a salute to entropy, we decided to extrapolate far into the future.\u003c\/p\u003e\n\u003ch3\u003eDifferent Ways to Phase\u003c\/h3\u003e\n\u003cp\u003eThe Instant Phaser allows four distinct methods to control the phasing:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eManual allows precise automation of the phasing.\u003c\/li\u003e\n\u003cli\u003eOscillator modulates the phasing at a constant rate that you decide.\u003c\/li\u003e\n\u003cli\u003eEnvelope changes the phase whenever your signal passes the specified threshold. The plug-in accepts a side chain input for this control method.\u003c\/li\u003e\n\u003cli\u003eRemote maps the phasing control to a modwheel for tactile manipulation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAdd Age for component drift with time\u003c\/li\u003e\n\u003cli\u003eOffers three different flavors of phasing with the Mode switch: Shallow, Deep, and Wide\u003c\/li\u003e\n\u003cli\u003eUtilize one of four distinct methods to control the phasing\u003c\/li\u003e\n\u003cli\u003eDepth allows you to combine the phased signal with the dry signal\u003c\/li\u003e\n\u003cli\u003eAdded Side Chain function allows you to trigger the Envelope Follower from a separate source in the mix for inter-track mingling\u003c\/li\u003e\n\u003cli\u003eExercise total control of the Oscillator with Sync and Retrig controls\u003c\/li\u003e\n\u003cli\u003eUse Feedback control for a more pronounced sound\u003c\/li\u003e\n\u003cli\u003eIncludes standard gain input and output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSystem Requirements\u003c\/h3\u003e\n\u003ch4\u003eMac\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOS:\u003c\/strong\u003e macOS 10.14+\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormats:\u003c\/strong\u003e VST-3, AU, AAX\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eWindows\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOS:\u003c\/strong\u003e Windows 10+\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormats:\u003c\/strong\u003e VST-2, VST-3, AAX\u003c\/li\u003e\n\u003c\/ul\u003e\n","brand":"Eventide","offers":[{"title":"Default Title","offer_id":45355869995187,"sku":"EVENTIDE-124750","price":11279.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/InstantPhaser-MkII.png?v=1773739195"},{"product_id":"eventide-instant-flanger-mk-ii","title":"Eventide Instant Flanger Mk II","description":"\u003ch3\u003eClassic Flanging for a Modern Mix\u003c\/h3\u003e\n\u003cp\u003eThe Instant Flanger Mk II brings the great sound of vintage tape flanging to your plug-in toolbox. An authentic emulation of the original 1975 studio rackmount, the Instant Flanger was famously used on David Bowie’s “Ashes to Ashes” and Cyndi Lauper’s “Time After Time.” A truly versatile tool, engineers and producers have used it for stereo sweetening, subtle modulations, double tracking, and extreme flanging effects.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDepth controls the intensity of the effect. 100% adds the delayed signal to the dry signal. -100 % subtracts the dry signal from the delayed signal\u003c\/li\u003e\n\u003cli\u003eThree distinct flavors of flanging. Set the Mode switch for Shallow, Deep or Wide\u003c\/li\u003e\n\u003cli\u003eManual control allows you to control the ‘comb’ effect by turning the Big Knob\u003c\/li\u003e\n\u003cli\u003eOscillator drives the flanging at a user defined rate\u003c\/li\u003e\n\u003cli\u003eEnvelope Follower drives the flanging based on the signal’s amplitude\u003c\/li\u003e\n\u003cli\u003eRemote maps the flanging control to a mod wheel for tactile manipulation\u003c\/li\u003e\n\u003cli\u003eBounce mimics the distinctive effect of the tape machine’s capstan motor “hunting” for its proper speed when the engineer’s thumb was lifted from the tape reel flange\u003c\/li\u003e\n\u003cli\u003e“Side Chain” allows for triggering the Envelope Follower from any source in the mix for inter-track mingling\u003c\/li\u003e\n\u003cli\u003eExercise total control of the Oscillator with Sync and Retrig\u003c\/li\u003e\n\u003cli\u003eTame the intensity by removing low frequencies from the flanged signal with the Low Cut control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSystem Requirements\u003c\/h3\u003e\n\u003ch4\u003eMac\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOS:\u003c\/strong\u003e macOS 10.14+\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormats:\u003c\/strong\u003e VST-3, AU, AAX\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eWindows\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOS:\u003c\/strong\u003e Windows 8+\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormats:\u003c\/strong\u003e VST-2, VST-3, AAX\u003c\/li\u003e\n\u003c\/ul\u003e\n","brand":"Eventide","offers":[{"title":"Default Title","offer_id":45355870027955,"sku":"EVENTIDE-124752","price":11279.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0657\/6821\/files\/InstantFlanger-MkII-Web.jpg?v=1773739203"}],"url":"https:\/\/www.bajaao.com\/collections\/eventide-clockworks.oembed","provider":"BAJAAO.COM","version":"1.0","type":"link"}