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Nothing else quite sounds like tape. Satin puts the legacy of tape recording in your hands: from top-of-the-line multi-track consoles to humble cassette decks. All the good (saturation transient smoothing compression) as well as the bad (noise modulation flutter hiss) qualities are under your control. Construct your (im)perfect tape machine. Once reserved for major studios digital recording has become widespread.
It offers pristine sound and comfortable editing at a fraction of the cost of multitrack tape. Despite all the advantages however digital audio can easily sound too clean and impersonal. So musicians producers and audio engineers have turned to traditional analogue tools to bring some life back into overly clinical recordings. A world of non-linear behaviours distortion saturation and much more arises during tape recording and playback.
Bringing these coveted characteristics of magnetic tape into the digital realm in unprecedented quality—this is what Satin is all about. The sound That tape sound depends on interaction between the various parts of a tape machine. Each contributes in one way or another—enhancing reducing combining—to generate the final sound. Satin models individual components and lets them interact in the same way.
