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Features
  • U-ART High Frequency Driver: The new U-ART 1.9” accelerated ribbon tweeter, as used in the T Series, is made of a high-tech polymide film and provides pristine and extended high-frequency response up to 25 kHz—virtually unheard of in monitors in this price range, and a breakthrough solution for use in high-resolution recording and mixing on a budget. Unlike a conventional dome or cone tweeter that uses a piston action to move air and reproduce sound, the U-ART tweeter uses a pleated ribbon that alternately draws air into its folds and squeezes it out as the folds respectively expand apart and press together in response to inputted audio signal. This design produces four times as much air movement as does a piston-based design, creating higher sound pressure levels (SPLs) with lower distortion. The U-ART tweeter is fitted to a precision waveguide with the same dispersion-control attributes as the High Frequency Propagation (HPS) waveguide used in ADAM Audio’s flagship S Series studio monitors. The waveguide’s highly uniform dispersion of high frequencies provides an incredibly wide sweet spot that frees you from being glued to a rigid mix position while working.

  • HPS Waveguide: The HPS (High-frequency Propagation System) waveguide was initially designed at ADAM Audio for the S-ART tweeter of the S Series range with the aid of the latest computer modeling techniques. It hones the dispersion of the speakers to an even, uniform consistency, broad in the horizontal axis but tightly focused in the vertical plane. This minimizes potentially distracting reflections from the horizontal surfaces of significant studio furniture (for example mixing consoles), ensures that imaging remains constant, and creates a large, well-controlled and stable ‘sweet spot’, even at high output levels. The U-ART tweeter as used in the T Series is fitted to a precision waveguide with the same dispersion-control attributes as the HPS waveguide used in ADAM Audio’s flagship S Series studio monitors.

Why We Love This
  • First-Time Studio Setup: Instant Upgrade: Setting up my first home studio was overwhelming—until I plugged in the T5V. The clarity and separation I got on playback instantly elevated my mixing process. The stereo imaging feels so natural that I actually caught phasing issues I’d missed before. As a beginner, I didn’t expect monitors to make this much of a difference.

  • Perfect for Compact Spaces: My workspace isn’t big, so I was worried about overpowered monitors muddying the sound. But the T5V fits perfectly. The low-end is tight, not boomy, and the high frequencies are crisp without being harsh. The rear port and small footprint make it ideal for a bedroom studio—and it still sounds massive.

  • Trustworthy for Critical Listening: When I need to make fine adjustments—especially for vocals and midrange-heavy instruments—the T5V is my go-to. The detail in the upper mids is phenomenal, and mixes translate well to other systems. It's rare to find something this precise at this price point. I can actually trust what I hear.

  • Long Sessions, Zero Fatigue: I spend hours working on mixes, and with the T5V, there’s no ear fatigue. The sound is balanced, and the ribbon tweeter really smooths out the highs without dulling them. It's one of the few monitors where I don't need to keep checking on headphones every 20 minutes to be sure.

Customer Reviews