Moog Music Minimoog Voyager XL

Moog Music Minimoog Voyager XL

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Created in tribute to the 40th anniversary of the Minimoog, the Minimoog Voyager XL is a sonic dynamo that celebrates major landmarks in the Moog synthesizer heritage. The Voyager XL begins with the core of a Minimoog Model D, utilizing the fat oscillators and rich Moog filters to give you that undeniable Moog sound. The user-friendly interface design and substantial construction instantly relay the Voyager XL™s quality and value.

The Moog Minimoog Voyager XL receives its 100% analog signal path with stable oscillators from the current Voyager line as well as touch surface, patch storage, pot mapping and wide-ranging MIDI control operation. With the addition of a ribbon controller and a 61-note keyboard the Voyager XL becomes an enormous analog monosynth that is the result of 40 years of sonic discovery. Essentially all of the Minimoog Model D and Voyager functions and sound resources have been integrated into the Moog Minimoog Voyager XL.

The considerable front-panel patchability from the first innovative Moog modular synths, and a vast array of features that in the past were only found on massive modular synthesizers come together with up-to-the-minute analog technology to give you the ultimate in sound design and control.

Moog Music Minimoog Voyager XL Features:

  • Incorporates virtually all of the sound resources and functions of the original Minimoog Model D and Voyager
  • 61-note velocity sensitive keyboard with after-pressure
  • Ribbon controller with pitch and gate cv outputs
  • Touch surface controller with x, y, a and gate outputs
  • External audio input
  • Effects loop insert
  • 2 active attenuators
  • 4-input cv mixer
  • Lag processor
  • Additional LFO source with multiple MIDI-syncable waveforms
  • 3 four-way mults
  • 20 control voltage outputs
  • 3 gate outputs
  • 10 control voltage inputs
  • 4 gate inputs
  • 2 modulation busses
  • Solid oak cabinet
  • Tilting control panel

Moog Music Minimoog Voyager XL SPecifications:

20 Control Voltage outputs:

  • Keyboard Pitch (w/ internal trim to calibrate to 1 V/Octave)
  • Keyboard Velocity
  • Keyboard Afterpressure
  • Touch Surface X
  • Touch Surface Y
  • Touch Surface A (area)
  • Pitch Bend Wheel
  • Mod Wheel
  • MOD 1 signal (signal at MOD 1 input)
  • MOD 2 signal (signal at MOD 2 input)
  • LFO triangle wave
  • LFO square wave
  • Mod Wheel Mod Buss output
  • Pedal/On Mod Buss output
  • Filter Envelope
  • Volume envelope
  • Sample and Hold Step
  • Sample and Hold Smooth
  • Noise
  • Ribbon Controller CV Output (-5V to +5V)

3 Gate outputs:

  • Keyboard Gate
  • Touch Surface Gate
  • Ribbon Controller Gate Output
  • 3 x 4-way Mults (top jack is ring-powered)

10 Control Voltage Inputs:

  • Envelope Rate CV (-5V to +5V) Ring-Powered
  • OSC Pitch CV (adj. to 1V/Octave) (-5V to +5V) Ring-Powered
  • OSC Wave CV (all three osc. affected) ( 0V to +5V) Ring-Powered
  • FILTER Cutoff CV (-5V to +5V) Ring-Powered
  • VCA Volume CV ( 0V to +5V) Ring-Powered
  • VCA Pan CV (-2.5V to +2.5V) Ring-Powered
  • LFO Rate CV (-5V to +5V) Ring-Powered
  • MOD Mod1 CV ( 0V to +5V) Ring-Powered
  • MOD Mod2 CV ( 0V to +5V) Ring-Powered
  • S&H CV (-5V to +5V) Ring-Powered

4 Gate Inputs:

  • ENV Release ON/OFF (0V OFF, +5V ON)
  • ENV Gate Input (0V OFF, +5V ON)
  • LFO Sync ON/OFF (0V OFF, +5V ON)
  • S&H Gate Input (0V OFF, +5V ON) No footswitch input

2 Active Attenuators: Active Attenuators are identical to the VX-352 attenuators with the following difference:

  • Channel 1 is normalled to LFO 2 output. So, if nothing is connected to the Channel 1 input jack, the output of Channel 1 will be the attenuated version of the LFO 2 output
  • Channel 2 is normalled to RIBBON output. So, if nothing is connected to the Channel 2 input jack, the output of Channel 2 will be the attenuated version of the ribbon controller
  • Expression pedals can be connected to the Attenuator inputs (i.e. they are ring-powered inputs)
  • AMOUNT controls gain of -1 (CCW) to 1 (CW). Thus, the attenuators can create an inverted version of the waveform
  • OFFSET control allows you to add a DC voltage of -5V to +5V to the input signal. The Attenuator output will be clipped to approximately +/-10V.

Four-Input Mixer:

  • Inputs 1 and 2 can be attenuated via front-panel knobs
  • Inputs 1 and 3 can be controlled by Expression Pedals (i.e. ring-powered)
  • Two output CV's (+) and (-)
  • DC offset can be added to signal via OFFSET knob
  • Overall output of MIXER can be adjusted via the MASTER knob

Lag Processor:

  • RISE and FALL time constants are adjustable from 1 millisecond to 1 second (middle is 100 millisecond).

LFO 2:

  • A MIDI-syncable second LFO source has been added to the Voyager XL. The default frequency range is 0.02Hz (50 seconds) to 20Hz (0.05 seconds). This range was made to augment the current Voyager LFO which does not go slow-enough for some very slow modulations. 

Inputs: LFO 2 can be:

  • Free-running (adjusted by the RATE knob on the front panel)
  • MIDI SYNC from external MIDI clock
  • Directly CLOCKED from a GATE CV via the front panel CLOCK jack
  • Controlled via external CV or Expression Pedal via the front panel RATE CV jack


Outputs: LFO 2 has two complementary LFO outputs labeled (+) and (-). In default mode, these are the same waveform 180 degrees out of phase. 

Available front-panel waveforms:

  • Triangle
  • Square
  • Ramp
  • Saw
  • Sample & Hold
  • Sample & Hold Smooth


  • Power input accepts a standard power cable. The Minimoog Voyager XL works from 100-250 VAC, 50-60 Hz

Collections: Keyboards and Pianos, MOOG, Musical Instruments, Over ₹50,000, Synthesizers


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