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Special Import. Usually dispatches in 20-23 Days. Conditions Apply*
Special import. Dispatches in 20-23 days from International Warehouse. Conditions Apply*
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The DSMC® H2O OLPF (optical low-pass filter) is designed and optimized for use in underwater applications. Use this OLPF in a compatible EPIC DRAGON or SCARLET DRAGON® camera and waterproof housing to capture optimal footage in aquatic environments.
This OLPF is engineered to overcome the challenges of capturing underwater footage at varying depth and lighting levels. It is fine-tuned to produce optimal colors in both shallow and deeper water, where lighting conditions can vary tremendously. Utilizing the DSMC H2O OLPF results in footage that is balanced across the color spectrum—regardless of depth—offering you unmatched exposure performance and freedom for grading in post.
The DSMC H2O OLPF ships in a protective case.
NOTE: The DSMC H2O OLPF is ONLY compatible with EPIC DRAGON® and SCARLET DRAGON® cameras.
NOTE: The DSMC H2O OLPF requires that your DSMC is on firmware v5.3.29 or later.
IMPORTANT: Your EPIC DRAGON or SCARLET DRAGON camera MUST BE compatible with the DSMC Interchangeable OLPF system to use this OLPF. Before you can use an interchangeable OLPF, you must send your BRAIN in to RED to be modified for the DSMC Interchangeable OLPF system.
Describe it as a perfect storm. A mad scientist, with the passion and resources to make his dreams come true, a team of brilliant specialists that shared his passion and, finally, the moment in history when the technology would be possible. All factors were necessary for the dream to be realized. The genesis of RED stirred in 2005, with the first RED ONE camera being delivered in August of 2007. Jim Jannard, the owner and founder of sportswear and sunglass icon, Oakley, set out to realize his ultimate quest, to build the world's best cameras. Starting literally out of a warehouse garage, he and a small group of pioneers changed the face of the motion picture industry. Based on the RAW file capture of digital SLRs, the RED team engineered a camera capable of recording RAW, 4K images at up to 30 frames per second. Digital cinema, on a modern scale, was born.